The church was founded at the beginning of the 13th century from the foundation of the local Benedictine Monastery. In 1358, it was first recorded in a list of witnesses, where Peter, the vicar of the church, was mentioned. In 1397, only the church “prope et ante monastererium” was mentioned, and in 1510 the church was defined as a Lubiń chapel, in which the abbot of Lubiń had the privilege.
Soon after the church was erected, an unknown catastrophe occurred, namely a fire that affected at least the interior of the Romanesque church. Unless it was a local fire, it can be assumed that it was related to the events of 1383, when, according to information from written sources, the lands of the monastery in Lubiń suffered during the fights between the noble families of Greater Poland (Wielkopolska), Nałęczs and Grzymalits.
In the years 1549-56, the church was rebuilt in the Gothic style on the initiative of the abbot Paweł Chojnacki. The existing building was raised and a new nave was added from the west. However, already in 1575, as a result of fire, the vaults of the church collapsed, and were never rebuilt. In the seventeenth century, the west gable was rebuilt into mannerist style, and in the eighteenth century a sacristy was erected.
From the beginning of its existence until 1836, the church was a parish church for Lubiń. Then, after the dissolution of the monastery, the parish was moved to the monastery church of the Blessed Virgin Mary, and the threatened with demolition church of St. Leonard, which was to be used to obtain building materials, was finally handed over to Evangelicals in 1853. After the Second World War, the church was returned to the Benedictines.
The church was erected on a promontory of a plateau elongated in the east-west line, with a slight inclination to the north. A Benedictine monastery was erected on one of the culmination of this ridge. Its immediate surroundings were a lake from the south, and wetlands from the north, with the north-west and south-east roads running at a considerable distance from the church, avoiding natural obstacles.
The original Romanesque church was a single-nave (5.2 x 6 meters) with a separate, narrower than the nave, almost square chancel (3.8 x 3.3 meters), closed with an apse from the east. Its walls, 1.3-1.5 meters thick, were made of granite blocks in the opus emplectum technique, while details such as frieze, window frames, portal, chancel and apse arch as well as sedilia frames made of ceramic elements, which was a characteristic feature of the Romanesque building. The red of the bricks, additionally highlighted with paint, contrasted both with the white plastered interior and the stone wall. On the apse axis, under the frieze, a semi-circularly arched window was pierced. This element received richly moulded jambs made of brick elements and sandstone slabs. Additional Romanesque windows (later significantly widened) were located in the southern wall of the chancel and the nave and in the northern facade of the nave, where there was also a portal crowned with a semicircular with a simple tympanum slab lined with bricks.
Inside the church, the walls were plastered, and some parts were covered with bossage. The original chancel was covered with a cross vault, the apse with a half-dome ceiling, and the nave with a timber ceiling. As a boss in the presbytery vault, a rebuilt late Romanesque head with floral motifs and human heads was used. In the side walls of the choir there were twin niches of brick sedilias.
In the 16th century, the west wall was demolished to connect to a newly built, spacious nave measuring 8.5 x 13.9 meters. At that time, the walls were built over the Romanesque part, creating a belfry, and an octagonal tower with a height equal to the walls was added to the north-west corner of the church. The late Gothic fragments were built in bricks, with the nave erected in a Flemish bond, with rhombic zendrówka brick decoration, including buttresses. Remains of ribs in the southwestern and northwestern corner of the Gothic nave and its strengthening from the outside with buttresses shows that until the fire it was topped with a stellar vault. In the Gothic nave there was also a brick tomb crypt and in the middle a kind of a cellar, probably associated with funeral rites.
Romanesque church of St. Leonard’s Church, together with the Gothic nave, is one of the most valuable elements of the architectural complex of the Benedictine monastery in Lubiń. Its entire body, made of stone blocks, has been preserved almost without distortions, partially obscured by early modern extensions from the north, while the interior of the temple has been changed. The Gothic part of the church unfortunately lost its original gable, replaced with the mannerist one.
Jarzewicz J., Kościoły romańskie w Polsce, Kraków 2014.
Kurnatowska Z., Kościół św. Leonarda w Lubiniu, “Archeologia Polski”, t. XXXVII, z. 1-2, 1992.
Maluśkiewicz P., Gotyckie kościoły w Wielkopolsce, Poznań 2008.
Murowana architektura romańska i gotycka w Wielkopolsce, red. J.Tomala, tom 1, Kalisz 2007.
Różański A., Jednoprzestrzenne kościoły romańskie z terenu Wielkopolski, Poznań 2010.
Świechowski Z., Architektura romańska w Polsce, Warszawa 2000.